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Can we talk about poetry for a spell? Now, poetry really is not my forté, either from a reading or a writing point of view. It’s that whole aspect of “what is the author trying to say here?” which brings back terrifying shades of high school English class. Very clever people can read Poe and understand him, or read Wordsworth and not fall asleep. I am not one of these people. My own taste in poetry is, I would imagine, fairly generic. My favourite poem in the whole wide world is The Female of the Species by Rudyard Kipling, followed closely by The Highwayman by Alfred Noyes, i carry your heart with me (i carry it in my heart) by ee cummings, Tu Dis Que Tu Aimes Les Oiseaux by Jacques Prévert, The Pig by Roald Dahl (I never said my poetry choices were high-brow), Pablo Neruda’s Sonnets (library or Amazon, like NOW), and Old Possum’s Book of Practical Cats by T.S. Eliot.
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From the standpoint of writing poetry, however… I was talking to a friend recently and the topic of poetry came up briefly. He was of the opinion that I should continue to write poetry, which got me thinking. Amateur poetry, so far as I am concerned, is kind of like watching Keanu Reeves act. It’s so boring, and painful, and embarrassing that you want to kill the people around you just to put them out of their misery. And I don’t even understand the rules of poetry. What is a rhyming couplet? I mean, obviously it means that there are two of something and that they rhyme, but where do they go? First line, last line? Middle lines? I still don’t know what “iambic pentameter” is. I’ve asked lots of people, but no one has satisfactorily answered the question. Anyone? Anyone? I think it takes real talent to write good poetry that both flows beautifully and presents an image to which the reader can relate. Good poetry, truly excellent poetry, is almost transcendental. It provokes thought and feeling with very few words. That, my friends, is hard.
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At the end of the day, in spite of my hissing and spitting, I continue to write poetry. Unlike my fiction, which I will sometimes show to (a select group of) people, no one sees my poetry, because it’s very personal. It’s like a journal entry. A snapshot of emotion taken in a split-second of time. I would not normally have considered sharing this with you, because, you know… However, at some point, I have to stop clinging to the rocks and just jump. You may not like it. You may have your own miniature Keanu Reeves episode, and that’s OK. I’m happy with what I’ve written. It will never live up to the likes of Shakespeare, or Frost, or Kipling, but I never intended it to do so. And now that I have suitably lowered your expectations, I present some of my own poetry for your (dubious) reading pleasure.
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Comfort
Soft.
The shadows lengthen.
Bright,
As moonlight falls.
There in the darkness,
Solitude.
The watches of Midnight
Approach.
Beneath the arc of stars,
Happiness.
In the stillness of night,
Suspension.
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Whither Thou Goest
Love
Is not a moment.
It is not romance, nor the caress of skin.
It is not darkness, nor impending gloom.
It is true joy.
Laughter.
Acceptance.
I do not know
What pathway you walk,
For you walk it without me.
With my blessing, without me.
I watch
For the future.
I see nothing but ghosts.
Leave me not to my vices, to the pull of regret.
Leave me not with the memories of loss,
And a heart full of fear.
Love
Is not afraid.
It not deceitful, nor angry.
It is not bitter, nor resentful.
It is loyalty.
Compassion.
Understanding.
Love
Is bright fire
To light the darkest of nights
And the scariest of hollows.
There are no ghosts.
And no regrets.





“BOOM, baby!”
And when the cloning thing happens, throw in couple of these, would ya?










Working on the tan…
An afternoon snack in the South of France